1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

暂无剧情简介

A bio-fiction short film about queer love that took place long before our time.

It is a world without language. A world where one is raised to respect the rules. Only one Boy questions the verity of what he has been taught, and he must decide whether to continue living in a society of fear or choose his own destiny.

It’s summer, and the whole Kim family has gathered in Daegu for the ancestral rites. This includes Seong-jin, the eldest grandson of the family, whose father has taken on the family business: a tofu factory. After the rites, family tensions start to rise and Seong-jin drops the bombshell that he won’t be taking on the family business.

Martha and Jed Richards live in Oregon in 1862. They and their two daughters moved there to make a new life, but the daughters died of cholera along the way. This has left Martha an emotional wreck, and she is unable to move on with her life. That is until an orphan named Danny comes to live with them. Jed immediately accepts Danny as his son, but Martha is still too upset to be able to love him. As time passes, however, she finds herself more and more able to accept him as part of the family.

After her own daughter abandons her child, an ambitious and orderly publisher has little choice but to raise the grandchild as her own.

Poetry meets technology in this film about the cycle of the seasons. Narrated by William Shatner, and accompanied by a special digital "surround" recording of Antonio Vivaldi's The Four Seasons, the film takes audiences on a breathtaking trip through the eruption of spring, the growth of summer, the harvest and festivity of autumn, and the dormancy of winter. The beauty of the seasons is interspersed with a look at the earth as a planet, the sun as a star, and the human quest to understand the relationship between the two.

Seasons is an experimental video that weaves personal memory, movement, and the ephemeral nature of love into a poetic narrative across four acts. Each section corresponds to a season and a place: Winter in Japan, Spring in Korea, Summer in China, and Fall in Love. The first three acts are created using a "motion extract" technique, where only movement is captured, leaving a haunting black backdrop that frames the fleeting motions of life. These segments reflect the director's time spent working on projects in Japan, Korea, and China during the respective seasons, grounding each location in its temporality. The original audio from the filming process accompanies these visuals, immersing viewers in the specific textures of each place. In the final act, Fall in Love, the clarity of both video and sound dissolves into a blur, reflecting the elusiveness and fragility of love and memory. The faint echoes of the director’s conversations with a former partner linger in this obscured space, hinting at intimacy while withholding its full shape, leaving the audience to contend with the ambiguity of what remains. Through Seasons, the director captures not just the transience of time and place but also the impermanence of human connections, inviting viewers to reflect on the movements that define their own lives.